Teaching Philosophy
My philosophy is built
around the idea that as humans we set out each day to discover more, to
communicate better, and to achieve a better relationship with our self and our
fellow man; that through sticking with something we will be able to make it
better, that by following what we love we will transfer our passion to others.
I think this is artŐs greatest trait: that it is a place for us to follow our
bliss. In making objects and telling stories our actions are distilled to the
essential (delight) and we progress openly in the possibilities of the world.
This begins with an
active, open classroom with students who feel a responsibility to act and take
part in the creation of a supportive community. A cooperative atmosphere, where risk-taking is rewarded, and
the tools and techniques taught are utilized to advance creative visions,
voices, and aesthetic choices, is the quintessential aim.
As a foundation for a
productive and inspiring class I find the following to be invaluable:
1) A detailed syllabus
with a schedule to provide
students from the outset with the
short and long term goals of the course. Although flexibility is essential for
dealing with the spontaneous events that arise in teaching, the schedule allows
a general framework that remains viable.
2) Weekly written and
oral presentations to allow students a constant source for reflecting and
engaging with the information they are acquiring and the work they are
producing, and to keep the conversation relevant and active.
3) A historical, theoretical and critical foundation for the
subject matter. I believe it is
essential for students to understand their medium's history and be exposed to
the discourses, dilemmas, and debates that other artists have had and continue
to have. In doing so, students can
be inspired to regard themselves as active participants in the ongoing
transformation of art and reflect on their work at a serious level.
What we learn, on one
hand, is craft, tradition, technology and history. On the other hand, itŐs
innovation, rebellion, and creativity. Somewhere in between is the art
professor, striving to negotiate sheer artistic energy with the patterns,
paperwork, and protocol of the rest of the world. Achieving a balance in this
endeavor, while maintaining passion and inspiring creative expression, is my
highest aim as a teacher.